http://www.karensantry.com/clients daily 0.75 2015-03-25 http://www.karensantry.com/new-index daily 0.75 2016-05-17 https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59f4e4b02fb0125d6e45/1428540826537/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5ac6e4b0061c588cb9b1/1428542771928/ THE GRAND KABUKI EMPEROR- Iruka PLAYED BY ONE OF THREE SONS OF SHIRADAYO Set in the seventh century at the ancient court, this is the most romantic work in the kabuki and most magnificent in scale. In the past one critic likened it to the operas of Wagner with their backdrop of ancient Germanic legend. Soga no Iruka is a historical figure from an old noble family who did actually live in the seventh century; however, in this play he seizes the throne in a coup, banishing the blind emperor Tenji, Iruka – The greatest Villain among all villains on the Kabuki Stage appears in the ghostly superhuman form of a villainous noble, his face p anted white and blue. In “Yshinogwa,” Daihanjo Kiyosumi and Sadaka, widow of the Dazaiclan, who face each other across a river, and are now both unwillingly under the authority of Iruka to cooperate to enable the love of their children Koganosuke and Hinadori to reach fruition, while maintaing their traditional rivalry. As a result of in the increasing power of Iruka, this consideration for each other ends with the two young people of Iruka, this consideration for each other ends with the two young people taking their own lives watching the pair of Lovers from rival families one is reminded of Romeo and Juliet. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5afae4b053ce14902a19/1428528926877/ THE GRAND KABUKI MATSUOMARU – PURPLE SWORD DRESS GUY PLAYED BY ONE OF THREE SONS OF SHIRADAYO THE SECRET OF SUGAWARA’S CALLIGRAPHY This Play is based on the life of Sugawara Michizane’ a statesman’ poet and calligrapher who was unjustly exiled. Matsuomaru, Umeomaru and Sakurama are the sons of Sugawara’s retainer’ Shiradayu. “Kurumahiki” is a kabuki’s additional scene to this originally puppet play and is acted in the aragoto” style by the three brothers who quarrel and fight until they are interrupted by Fujiwara shihei whose lies caused michizane’s exile. In the end, Sakuramaru commits suicide because he feels responsible for bringing Michizan’s daughter, Kariya and Prince Tokiyo Together thus giving Shihei an opportunity to accuse Michizane of Trying to seize the Imperial throne, Umeomaru leaves to join his master, Michizane in exile and Matsuomaru sacrifices his son to save Michizane’s son. This is a dramatization of the tale of Sano Jirozaemon, a farmer said to have killed 100 men in the Yoshiwara pleasure quarters. Today thefirst talk of the play, which revolves around the fate of Jirozaemon’s father, is cut: the usual procedure is to begin witht he scene in Yoshiwara’s Nak ago cho in which Jirozaemun falls in love at first sight. The first cast included Ichikawa Sadanji as Sano Jirozaemon, Nakamura Fukusuke ( Later Nakamura Utaemon V as Einojo. jirozaemon, an ugly pockmarked farmer, falls madly in love with a spectacular courtesan Yatsuhashi, while she is making tour of the quarter. He visits her often until he finally decides to pay her bond and thus release her from her indenture. However, because of her present relationship with Einojo, her lover, Yatsuhashi reviles Jirozaemon before crowd of onlookersThe disgraced farmer restrains himself with an effort. Once he has returned to his country home and thought things over., he comes back to yatuhashi again and kills her with his magic sword. The heart of the entire work is the scene in which the farmer is insulted. Also fascinating is the sequence in which gorgeous courtesan makes her rounds of the flower bedecked Yoshiwara and foolish Jirozaemon falls headlong in love with her after only one glimpse of her smiling face. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59b7e4b02fb0125d6d07/1428522988022/YOSHIE1.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a5de4b0f85361aafad4/1428519711424/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a00e4b02fb0125d6e9b/1428573060299/ THE GRAND KABUKI The Enforced Retreat) One of the most spectacular of the “Kabuki Eighteen” it was well received when the first performed in 1727 by Ichkawa Danjuro II. An angry demon is pushed back to the stage by a warrior who appears on the “hanamichi’’ The hero wears the most elaborate “suji-kuma” makeup, gauntlets and greves and an enormous padded kimono. He walks around on high wooden clogs carrying three swords and a bamboo spear. The deamon is not far behind with his long red wig and No style brocade costume. The “oshi-modoshi’’ role can be seen in plays like ‘Futaomote”, “Dojoji”And ‘Onna Narukami” but on a smaller scale.The Oshimodoshi may be called such names as Odate Sabagoro or Takenuki Goro. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a8de4b02fb0125d71d2/1428523225590/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b56e4b04af6cfba77c3/1428514362740/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a6ce4b0f85361aafb30/1428523634856/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a11e4b02fb0125d6f01/1428518906796/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59c0e4b02fb0125d6d45/1428524552304/PUPPET+GROUP+KABUKI.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59d1e4b02fb0125d6da2/1428573137312/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59e7e4b02fb0125d6dfc/1428524855976/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a35e4b0f85361aaf9a1/1428515017990/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/553a59a6e4b02fb0125d6c92/553a59a6e4b02fb0125d6c91/1428539254036/swan3+copy+copy2.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b3ae4b04af6cfba7728/1428521486312/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b6fe4b04af6cfba7841/1428576558430/ THE GRAND KABUKI YUGIRI KURUWABUNSHO Translation by Professor Karen Santry as told by Heisei Nakamura-za PLAYED BY TAMASABORO Courtesan Yugiri is a woman who really existed in Shinmachi, Osaka. She was one of the most famous women in the Century Japan for her beauty, solitude, and elegant sensuality. She was a star loved by the people. She died of illness at the age of twenty-seven on Jan 6 1678. Many legends were born after her death. Based on these legends, Saikaku, a representative novelist of the time, wrote novels, playwright Chikamatsu wrote dramas, and the great actor Tojuro Sakata played her lover’s role, Izaemon Fujiya, in a love story about Yugiri. 300 years hence, Y­­­­ugiri lives on in today’s Japanese theater. In the days of Edo, courtesans represented a culture, Yugiri has been loved by people for as long as 300 years naturally because of her beauty and love. But more than that, Yugiri as a courtesan evokes the culture of a Japan which has been long lost to us. She represented the culture of Osaka, a commercial city. One glance at her is enough to prove this to anyone. A mysterious hairdo called Tatehyogo, tens of ornamental combs, and hairpins, magnificent over-garment, costumes embroidered with golden and silver thread, and the purple head band which outlines her white forehead. The headband shows that she is lovesick for Zaemon. She is a courtesan who sleeps with a number of men in one night, yet she suffers from love-sickness for a man. That shows the tenderness and passion of the woman. Moreover, her lover has become bankrupt because of his association with her and is penniless. This is the pattern of love in Osaka and this pattern enchanted the people. Tamasaburo’s Yugiri, with the slender and tall figures reeling precariously, presents a vivid image of “Love-sickness” which seems to have gone out of fashion into today’s world. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a49e4b0f85361aafa28/1428525118957/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b90e4b09e35ffe2f53c/1428522221233/ THE GRAND KABUKI YUGIRI KURUWABUNSHO Translation by Professor Karen Santry as told by Heisei Nakamura-za PLAYED BY TAMASABORO Courtesan Yugiri is a woman who really existed in Shinmachi, Osaka. She was one of the most famous women in the Century Japan for her beauty, solitude, and elegant sensuality. She was a star loved by the people. She died of illness at the age of twenty-seven on Jan 6 1678. Many legends were born after her death. Based on these legends, Saikaku, a representative novelist of the time, wrote novels, playwright Chikamatsu wrote dramas, and the great actor Tojuro Sakata played her lover’s role, Izaemon Fujiya, in a love story about Yugiri. 300 years hence, Y­­­­ugiri lives on in today’s Japanese theater. In the days of Edo, courtesans represented a culture, Yugiri has been loved by people for as long as 300 years naturally because of her beauty and love. But more than that, Yugiri as a courtesan evokes the culture of a Japan which has been long lost to us. She represented the culture of Osaka, a commercial city. One glance at her is enough to prove this to anyone. A mysterious hairdo called Tatehyogo, tens of ornamental combs, and hairpins, magnificent over-garment, costumes embroidered with golden and silver thread, and the purple head band which outlines her white forehead. The headband shows that she is lovesick for Zaemon. She is a courtesan who sleeps with a number of men in one night, yet she suffers from love-sickness for a man. That shows the tenderness and passion of the woman. Moreover, her lover has become bankrupt because of his association with her and is penniless. This is the pattern of love in Osaka and this pattern enchanted the people. Tamasaburo’s Yugiri, with the slender and tall figures reeling precariously, presents a vivid image of “Love-sickness” which seems to have gone out of fashion into today’s world. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/573b4bd8403c66ffb4e45416/1463503832620/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/573b54f9356fb0e611cb09e1/1463505649383/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/573b5a7aab48de4ea4810c5c/1463504141308/ THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59a6e4b02fb0125d6c90/1428539149614/kabukiiiwing.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59d1e4b02fb0125d6da1/1428573153481/sumisomilady.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5ac6e4b0061c588cb9b0/1428543164115/emperorking.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5afae4b053ce14902a18/1428528976004/swordman3.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b3ae4b04af6cfba7727/1428521541219/osome.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b56e4b04af6cfba77c2/1428514410246/swan3+copy.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a5de4b0f85361aafad3/1428519729630/umbrellalady.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59b7e4b02fb0125d6d06/1428523006888/tallman.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59f4e4b02fb0125d6e44/1428540770562/lionlion.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59c0e4b02fb0125d6d44/1428524570176/leanbacklady.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b6fe4b04af6cfba7840/1428576579325/oliveladytall.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5b90e4b09e35ffe2f53b/1428522238808/olivelady.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a35e4b0f85361aaf9a0/1428515054698/swan3+copy+copy.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a49e4b0f85361aafa27/1428525135804/sitdownlady.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a59e7e4b02fb0125d6dfb/1428524871675/ghostman.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a00e4b02fb0125d6e9a/1428573078933/Oboro.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a11e4b02fb0125d6f00/1428518930617/redlady1.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a8de4b02fb0125d71c6/1428523253446/Gouchin.jpg THE GRAND KABUKI https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/553a5a6ce4b0f85361aafb2f/1428523773729/cherry.jpg THE GRAND KABUKI http://www.karensantry.com/work daily 0.75 2016-05-17 https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55259f1be4b026f753141e63/1428528926877/ KABUKI NEWS MATSUOMARU – PURPLE SWORD DRESS GUY PLAYED BY ONE OF THREE SONS OF SHIRADAYO THE SECRET OF SUGAWARA’S CALLIGRAPHY This Play is based on the life of Sugawara Michizane’ a statesman’ poet and calligrapher who was unjustly exiled. Matsuomaru, Umeomaru and Sakurama are the sons of Sugawara’s retainer’ Shiradayu. “Kurumahiki” is a kabuki’s additional scene to this originally puppet play and is acted in the aragoto” style by the three brothers who quarrel and fight until they are interrupted by Fujiwara shihei whose lies caused michizane’s exile. In the end, Sakuramaru commits suicide because he feels responsible for bringing Michizan’s daughter, Kariya and Prince Tokiyo Together thus giving Shihei an opportunity to accuse Michizane of Trying to seize the Imperial throne, Umeomaru leaves to join his master, Michizane in exile and Matsuomaru sacrifices his son to save Michizane’s son. This is a dramatization of the tale of Sano Jirozaemon, a farmer said to have killed 100 men in the Yoshiwara pleasure quarters. Today thefirst talk of the play, which revolves around the fate of Jirozaemon’s father, is cut: the usual procedure is to begin witht he scene in Yoshiwara’s Nak ago cho in which Jirozaemun falls in love at first sight. The first cast included Ichikawa Sadanji as Sano Jirozaemon, Nakamura Fukusuke ( Later Nakamura Utaemon V as Einojo. jirozaemon, an ugly pockmarked farmer, falls madly in love with a spectacular courtesan Yatsuhashi, while she is making tour of the quarter. He visits her often until he finally decides to pay her bond and thus release her from her indenture. However, because of her present relationship with Einojo, her lover, Yatsuhashi reviles Jirozaemon before crowd of onlookersThe disgraced farmer restrains himself with an effort. Once he has returned to his country home and thought things over., he comes back to yatuhashi again and kills her with his magic sword. The heart of the entire work is the scene in which the farmer is insulted. Also fascinating is the sequence in which gorgeous courtesan makes her rounds of the flower bedecked Yoshiwara and foolish Jirozaemon falls headlong in love with her after only one glimpse of her smiling face. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55256639e4b0d5d2f33707c3/1428514362740/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55258a61e4b0e7fef538802d/1428523634856/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55258205e4b0e6a97e4916ad/1428521486312/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55257b1de4b0c26feadc0d30/1428519711424/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552587eae4b0788926c11adc/1428522988022/YOSHIE1.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/5526592de4b0c26feadfd057/1428576558430/ KABUKI NEWS YUGIRI KURUWABUNSHO Translation by Professor Karen Santry as told by Heisei Nakamura-za PLAYED BY TAMASABORO Courtesan Yugiri is a woman who really existed in Shinmachi, Osaka. She was one of the most famous women in the Century Japan for her beauty, solitude, and elegant sensuality. She was a star loved by the people. She died of illness at the age of twenty-seven on Jan 6 1678. Many legends were born after her death. Based on these legends, Saikaku, a representative novelist of the time, wrote novels, playwright Chikamatsu wrote dramas, and the great actor Tojuro Sakata played her lover’s role, Izaemon Fujiya, in a love story about Yugiri. 300 years hence, Y­­­­ugiri lives on in today’s Japanese theater. In the days of Edo, courtesans represented a culture, Yugiri has been loved by people for as long as 300 years naturally because of her beauty and love. But more than that, Yugiri as a courtesan evokes the culture of a Japan which has been long lost to us. She represented the culture of Osaka, a commercial city. One glance at her is enough to prove this to anyone. A mysterious hairdo called Tatehyogo, tens of ornamental combs, and hairpins, magnificent over-garment, costumes embroidered with golden and silver thread, and the purple head band which outlines her white forehead. The headband shows that she is lovesick for Zaemon. She is a courtesan who sleeps with a number of men in one night, yet she suffers from love-sickness for a man. That shows the tenderness and passion of the woman. Moreover, her lover has become bankrupt because of his association with her and is penniless. This is the pattern of love in Osaka and this pattern enchanted the people. Tamasaburo’s Yugiri, with the slender and tall figures reeling precariously, presents a vivid image of “Love-sickness” which seems to have gone out of fashion into today’s world. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552584ebe4b0256f7f4a0a9e/1428522221233/ KABUKI NEWS YUGIRI KURUWABUNSHO Translation by Professor Karen Santry as told by Heisei Nakamura-za PLAYED BY TAMASABORO Courtesan Yugiri is a woman who really existed in Shinmachi, Osaka. She was one of the most famous women in the Century Japan for her beauty, solitude, and elegant sensuality. She was a star loved by the people. She died of illness at the age of twenty-seven on Jan 6 1678. Many legends were born after her death. Based on these legends, Saikaku, a representative novelist of the time, wrote novels, playwright Chikamatsu wrote dramas, and the great actor Tojuro Sakata played her lover’s role, Izaemon Fujiya, in a love story about Yugiri. 300 years hence, Y­­­­ugiri lives on in today’s Japanese theater. In the days of Edo, courtesans represented a culture, Yugiri has been loved by people for as long as 300 years naturally because of her beauty and love. But more than that, Yugiri as a courtesan evokes the culture of a Japan which has been long lost to us. She represented the culture of Osaka, a commercial city. One glance at her is enough to prove this to anyone. A mysterious hairdo called Tatehyogo, tens of ornamental combs, and hairpins, magnificent over-garment, costumes embroidered with golden and silver thread, and the purple head band which outlines her white forehead. The headband shows that she is lovesick for Zaemon. She is a courtesan who sleeps with a number of men in one night, yet she suffers from love-sickness for a man. That shows the tenderness and passion of the woman. Moreover, her lover has become bankrupt because of his association with her and is penniless. This is the pattern of love in Osaka and this pattern enchanted the people. Tamasaburo’s Yugiri, with the slender and tall figures reeling precariously, presents a vivid image of “Love-sickness” which seems to have gone out of fashion into today’s world. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552568c8e4b0f76cd2c3e621/1428515017990/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/5518f6cde4b0179c6ed51058/5525c775e4b0ca314c2266d1/1428539254036/swan3+copy+copy2.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/5525cd99e4b068ce0b1fb33b/1428540826537/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55258e06e4b0f76cd2c4e6d1/1428524552304/PUPPET+GROUP+KABUKI.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552588d8e4b0410f3272a449/1428523225590/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55264bd0e4b02b9e39c6972c/1428573137312/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552577f7e4b0e591f747adc8/1428518906796/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/5525903ee4b0e591f7485e4b/1428525118957/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/5525d52ee4b03b790b0df344/1428542771928/ KABUKI NEWS EMPEROR- Iruka PLAYED BY ONE OF THREE SONS OF SHIRADAYO Set in the seventh century at the ancient court, this is the most romantic work in the kabuki and most magnificent in scale. In the past one critic likened it to the operas of Wagner with their backdrop of ancient Germanic legend. Soga no Iruka is a historical figure from an old noble family who did actually live in the seventh century; however, in this play he seizes the throne in a coup, banishing the blind emperor Tenji, Iruka – The greatest Villain among all villains on the Kabuki Stage appears in the ghostly superhuman form of a villainous noble, his face p anted white and blue. In “Yshinogwa,” Daihanjo Kiyosumi and Sadaka, widow of the Dazaiclan, who face each other across a river, and are now both unwillingly under the authority of Iruka to cooperate to enable the love of their children Koganosuke and Hinadori to reach fruition, while maintaing their traditional rivalry. As a result of in the increasing power of Iruka, this consideration for each other ends with the two young people of Iruka, this consideration for each other ends with the two young people taking their own lives watching the pair of Lovers from rival families one is reminded of Romeo and Juliet. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55264b82e4b067493781bfc2/1428573060299/ KABUKI NEWS The Enforced Retreat) One of the most spectacular of the “Kabuki Eighteen” it was well received when the first performed in 1727 by Ichkawa Danjuro II. An angry demon is pushed back to the stage by a warrior who appears on the “hanamichi’’ The hero wears the most elaborate “suji-kuma” makeup, gauntlets and greves and an enormous padded kimono. He walks around on high wooden clogs carrying three swords and a bamboo spear. The deamon is not far behind with his long red wig and No style brocade costume. The “oshi-modoshi’’ role can be seen in plays like ‘Futaomote”, “Dojoji”And ‘Onna Narukami” but on a smaller scale.The Oshimodoshi may be called such names as Odate Sabagoro or Takenuki Goro. https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55258f31e4b0697f95eb7775/1428524855976/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/573b3a8b9c03e0235697abc5/1463499403098/ KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55258244e4b0410f32727487/1428521541219/osome.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/552577c9e4b04bc773d77c4d/1428518858948/redlady1.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55264b95e4b067493781bff2/1428573078933/Oboro.jpg KABUKI NEWS https://static1.squarespace.com/static/54fed47de4b0f26121cb499f/t/55265942e4b0c26feadfd089/1428576579325/oliveladytall.jpg KABUKI NEWS 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